Interview with Cate Touryan, Runner Up in the WOW! Q1 2025 Essay Contest
Friday Speak Out!: Write With Your Heart; The Best Writing Advice I Received From My Father
By Jeanine DeHoney
I proclaimed I wanted to be a writer at a very young age. As I sat on the sofa in my family’s Livingroom, my imagination had free reign as I wrote stories about cute little kittens and fairies with the exception of Fridays and Saturdays.
Then, as the weekend loomed in front of me, my father who was a saxophone player and jazz aficionado, who loved listening to music teeming at the seams with the barebones of improvisation, syncopation, and a melodious rhythm, would take a jazz album from his collection out of its sleeve and play it on our stereo console.
I would drop everything to sit beside him, and then mirror how he attended to this music; the bobbing of his head, tapping of his feet, taking mental notes of any listening instructions he gave me.
The main one he imparted to me was, “Always listen with your heart and not just your ears.”
So, I would, and the music I thought sounded strange as a child soon sounded inviting and soothing.
When I became an adult, and began my journey as a freelance writer, I realized my father’s words held significance, not just for music but for writing. I paraphrased his words some to encompass that I also needed to, “Always write with or from my heart.”
For when I did, I didn’t write to anyone else’s drumbeat. I didn’t hold back from writing what others thought should be “shrouded” or “kept hidden in the closet” particularly if it concerned a sensitive or cultural issue. I opened my heart and gave myself permission to empty my emotions on paper and let readers see the authenticity and vulnerability of who I was or who I was writing about. I stopped worrying about being judged.
Writing with my heart allowed me to unfetter my core on the page and forge a relationship with readers who might be walking a mile in my emotive shoes.
My words; the fiction stories, the creative nonfiction essays. even my first children’s picture book, are all heart stories. They are not just slivers but full-on narratives about the complexities of love, life, family, culture, the bad entwined with the good, sadness entwined with joy, etc., just like the music I learned to appreciate as I listened with my father.
Although I never got the chance to tell my father his advice on listening to jazz would be some of the best and most inspiring advice I got about writing, I hope he knew somehow. I hope he knew when he thumbed through my first published magazine story in my early twenties, that I followed his instructions about the heart. That I listened for the heartbeat of my stories when they hovered overhead, until they defied gravity and landed on the page.
And from one writer to another, I pass that same advice on to you, write with or from your heart, because you are a unique wordsmith and your/our stories are oh so needed in the world we live in today.
Would you like to participate in Friday
"Speak Out!"? Email your short posts (under 500 words) about
women and writing to: marcia[at]wow-womenonwriting[dot]com for consideration.
We look forward to hearing from you!
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What Is the Heart?
Recently I’ve been watching sessions from the Society of Children’s Book Writers and Illustrators Online Conference. My favorite sessions always involve a how-to element. One session was on finding your writer’s voice. Another was on taking something from idea to full picture book.
- To find out more about her writing, visit her site and blog, One Writer's Journey.
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Interview with Zarah Elouis-Ro, 2nd Place Winner in the Fall 2024 Flash Fiction Contest
Trespassers and Other Stories by Áine Greaney: Blog Tour & Giveaway
Interview with Hana S. Elysia, Runner Up in the WOW! Q1 2024 Creative Nonfiction Contest
Libraries are Community
I can't stop thinking about my monthly library board meeting. Despite the controversial things happening in our nation's libraries concerning choices of books and events in recent years, my local library seems relatively untouched. Our board mostly discusses upcoming events for patrons, switching over to LED lights, the ongoing search for personnel (anyone know a reliable part-time custodian?). Our meetings are mostly about the nuts and bolts of creating the best possible library for the community.
But on Monday night, in addition to our usual stack of papers of the librarian's report, bills for approval and other details there was something extra. A Show Up for Our Libraries handout was a statement from the American Library Association about an executive order issued on March 14 calling for the elimination of the Institute of Museum and Library Services "to the maximum extent consistent with applicable law." Hmmm.
I did some research and it seems there are some things that "shall" be maintained according to law while others "may" be maintained. Of course the unsaid half is that they also "may not" be maintained. It's very complicated and blurred by legalese talk. What I want is someone to tell me straight out what we will be losing. Is this a step toward ceasing our national public library system?
I'm all for saving money but libraries - public, school, academic - receive 0.003% of the federal budget. That's a very thin sliver of the pie. Maybe our representatives are thinking that libraries are dinosaurs. We have the Internet. We can get any book we want on Amazon. Why do we need libraries? Or more to the point, why are we still paying for libraries?
Frankly, because libraries are so much more than a building full of books. Libraries are community. People come to my local library to read but they also come for presentations on everything from computers to reptiles. They can join groups for readers, writers, knitters, gamers, computer geeks, puzzlers. They can get loans of baking supplies, party games, hand tools, sewing machines. They can use a 3-D printer, a computer, a copier, free wifi. They can see art displays and use meeting spaces. They can bring their children to story time, learning programs, holiday parties.
In rural areas like mine, libraries are an important bastion of community life. Our nearest bookstore is in the next county. Keeping school libraries open and filled with books for all students is a continuing challenge with shrinking school budgets. Also, there are limited spots for people to come together and participate in activities. And many people are feeling a pinch to their budget. We don't all have the luxury of buying that book our child needs/wants to read, participating in fun activities or even affording Internet service. The many services the public library provides are a gift to our whole community.
For many years, libraries have been a valuable resource for me. Helping me to polish my writing and helping me research for various assignments - everything from poisonous plants to pretzels. Recently, I received an assignment to interview Jesse Q. Sutanto and my library quickly rounded up four of her books from nearby libraries so I could be an expert before talking to her. I have a new assignment and they are rounding up another batch of books for my pre-interview cram session. Libraries help me earn my living.
I'm worried about the future of public libraries, are you?
Jodi M. Webb writes from her home in the Pennsylvania mountains about everything from DIY projects to tea to butterflies. She's also a blog tour manager for WOW-Women on Writing and a writing tutor at her local university. Get to know her @jodiwebbwrites, Facebook and blogging at Words by Webb.
Interview with Râna Campbell, First Place Winner of WOW! Fall 2024 Flash Fiction Contest
“Werewolf Syndrome” was Râna’s first semi-professional publication; it originally appeared in Intrepidus Ink. For editorial services, Râna can be contacted through her website.
WOW: Congratulations on winning first place in our Fall 2024 Flash Fiction competition. What prompted you to enter the contest?
Râna: In a general sense, I like WOW. I’ve been following the site for about a year, and I’m always impressed with the quality of the articles and stories that are published. So, I wanted to position myself among all these talented writers, and I took my shot by entering a previous WOW contest (in which I was thrilled to have been awarded an honorable mention). As far as this contest is concerned, honestly, it was a spontaneous, last-minute decision. I had high confidence in my story, so I figured I should take a chance on it. I was also encouraged by reading up on Quressa—I got a vibe about her that I liked and related to, and I wanted to share my story with her.
WOW: Can you tell us what encouraged the idea behind your story, “Werewolf Syndrome?”
Râna: Well, if the ideas behind the story are that (1) we live with warped notions of beauty (and, arguably, of wellness); and (2) we can resist these by embracing our authentic selves, then what foregrounded these ideas was probably the fact that, at the time of writing, I was suffering from extremely uncomfortable (and visually unattractive) flare-ups of my multiple chronic skin conditions. This put me at odds with myself—I felt like my own skin was eating me alive and making me look monstrous (just like my protagonist feels as though her body is waging war on her with her condition of rapid/excessive hair growth). In retrospect, I think that, subconsciously, that feeling gave way to a question about what it would be like to engage in radical self-acceptance—which would include accepting the discomfort, the ugliness, etc. In a more conscious and immediate way, I was writing to a prompt from my writers’ community, and the prompt engendered an interested in exploring the theme of transformation. I’ve commented on this in a prior interview.
WOW: What advice would you give to someone wanting to try writing flash fiction for the first time?
Râna: This is really important for a work of any length, but I feel it’s critical to the success of a flash piece: Know your story’s substance, and focus on weaving it into every developmental and stylistic aspect of the story. A longer story, like a novel, will have a number of themes and preoccupations, and will take many ins and outs, detours and sideroads, etc., in driving to the heart of its substance. But I would argue that flash fiction has to dive right into its substance and dwell in it the whole time. Is your story essentially about grief? Then let grief drip off every line and permeate every space. Is it about redemption? Then show us redemptive actions and engage with your characters’ redeeming qualities. Is it about love, hate, blame, forgiveness? Then be bold and thorough in using language that expresses, embodies, suggests, or reflects these things.
WOW: What are you reading right now, and why did you choose to read it?
Râna: I just finished reading Albert Camus’s The Plague, which I picked up out of a sense of intellectual responsibility—I’m a philosophy major with an interest in existentialism, yet I had only ever read one of Camus’s books before (and disliked it, at that). I’m around the same age now that Camus was when he won the Nobel Prize for literature, so I felt a kind of humble kinship with him and wanted to give a brother a chance!
I’ve also been leafing through various pieces in my mom’s book, Monkey Appetite, as a way of coping with grief and feeling close to her, having recently lost her to illness. I worked on this project with her, as her editor, so I feel really fortunate to have this tangible and deeply storied legacy to hold on to.
WOW: Thanks so much for chatting with us today, Râna. Before you go, do you have a favorite writing tip or piece of advice you can share?
Râna: I’m going to share a quote from Kenneth Atchity’s book, A Writer’s Time, that I transcribed onto a piece of paper and have hanging above my desk for whenever I need that extra push: “Write from the heart about things that matter to us all, and let nothing deter you from writing what only you can write.”